
AUTUMN/WINTER 20/21
An apocalyptic fashion season sends up protective proportions and a backlash on the bourgeois
Words by Nelson Mui, Merchandising Director at Lane Crawford
Paris always has the final word on the season, and at Balenciaga, arguably the week’s most impactful show, those words were… post-apocalyptic.
Summoned to a darkened cinema studio on the outskirts of Paris, the fashion crowd, fresh from Coronavirus anxieties circulating in Milan, was kept in disorienting darkness. The lights came on to reveal the front rows submerged in water. A parade of monastic, black-clad models with extreme shoulders and power proportions swished across the flooded catwalk. At Thom Browne, they marched in pairs of reworked gender-neutral checks and tweeds, in a show themed “Noah’s Ark.”
Is fashion drowning? Perhaps.
The designers at the most directional collections channeled this angst into fantasies of escape, empowerment and art. At Saint Laurent, Anthony Vaccarello served up signature tailoring in brilliant fashion — perversely tarted up in bold hues and dominatrix latex leggings and pencil skirts. Balmain’s Olivier Rousteing, mining the fault lines of class and race from his formative years in Bordeaux, reclaimed the ultimate totems of bourgeois privilege using a sexy, flashy 80s chic; with equestrian motifs, capes, and preppy-checks for all. Ourfavourite collection this season was from Loewe, for its pioneering, unfamiliar new silhouettes, with Jonathan Anderson collaborating with ceramicist TakuroKawata.