When Donna Karan announced a year ago that she was stepping down from the brand she founded in 1984, fashion mourned the end of an era. Arguably one of the most influential and certainly most important designers in American fashion - both in design and commerce - was leaving the company that bore her name. And yet, with the inevitability of fashion’s shifting tides, few were surprised.

It was indeed an end of an era but it was also time for a new fresh perspective, and with it a new generation of designers designing for a new generation of women.

Last year, New York wunderkinds Dao-Yi Chow and Maxwell Osborne - also known as the boys behind Public School and winners of the CFDA/Vogue Fashion Fund award in 2013 - were ceremoniously handed over the torch and tasked with relighting the DKNY fire for women of today.

The weight of the DKNY legacy is understandably a heavy one, but for Chow and Osborne, New York natives who grew up at the peak of DKNY-mania in the ‘90s, it seems almost predestined as the new roles allow them to re-discover the city through entirely new lens.

“We’ve been inspired by this sort of lawlessness in New York City – the idea that if you have the drive and determination and the thought, then the infrastructure of the city will allow you to really do anything you want, go anywhere you want,” says Osborne. “There are no boundaries here in New York.”

It is exactly this bold ambition that has not only defined the duo’s career thus far, but also speaks directly to the women they are designing for today: “Little by little, we are getting to know more and more about the DKNY woman. We are peeling back the layers and seeing her clearer day by day. She’s a multidimensional modern woman - never stops moving, and is someone who really wants to be taken seriously, but still is not taking herself too seriously,” says Chow.